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Finding Freyja

Original digital painting by Connla Freyjason (working under the pseudonym “The Warrior”), April, 2016. Available as wall art via clicking this link.

 

Every Friday, without fail, I pour blot to Freyja. I began this weekly ritual in April of 2016, after She came to me in a dream, and claimed me as Her own. Those first few weeks, I knew Her only as “Freyja, Queen of Cats”; a gentle presence, not unlike the huge felines who pull Her chariot, or even our own family cat, Kili, who could creep into a room quite unnoticed, yet fill the entire place with reverberating love, and passion that was quick to rise, sometimes even baring claws. With my whole heart, I poured a sweet red wine blend for Her, and I spoke the few kennings I knew, as well as the one She had, in fact, taught me: “Freyja, Queen of Cats”. And then I poured out my heart to Her. Every Friday, without fail.

On the twenty-seventh of February in 2017, I finally realized that I should take the plunge, and dedicate myself to the service She had already chosen for me. Two nights prior, I had participated in a Dark Moon Ritual at Enchanted Shop in Salem, Massachusetts, led by Priestess Renee Des Anges. During the meditation portion of that ritual, I was gifted a bind rune by The Lady: Algiz, Sowilo, Wunjo.

Algiz is a warrior’s rune. I wouldn’t fully understand the depth of Her gifting it me until two months later, when it finally dawned on me the form in which She had first chosen to visit: Valfreyja. For several years, I worked under the pen name “The Warrior” as an artist; my Beloved, Suzanne, in fact calls me “Her Warrior” as a pet-name. So it’s quite appropriate that Freyja first made Herself known to me as Valfreyja; it’s not Her fault that I’m more than a little slow on the uptake! Algiz is also the rune repeated on the Helm of Awe, a galdrastafir to which I have been heavily drawn from the first moment I saw one over a year ago. It is a rune of protection. It is also a rune of friendship with the gods, and of communication with Higher Powers. Message received.

Sowilo is a rune of promise, strength, warmth, and joy. It is the sun melting the snow with the promise of Spring; success, when we think all hope has otherwise been lost. These are the very things She had come to be to me over the course of the preceding year: when things were at their absolute darkest, Freyja always was there. And She reminded me to hope; She reminded me constantly that I am an artist, and that the Way of the Artist has never been easy, but has always been worthwhile. Message received.

Wunjo is as close as a rune can come to true bliss; a rune of “happily ever afters”. It is a rune of fulfillment, but it is also a rune of bonds forged: the bond of a friend to a friend; of lover to lover; of Goddess to Dedicant. It brings transformations of the best kind; the kind where one stops feeling like an outsider and becomes a part of something greater than themselves. Message received.

It was time; She had told me so. Now the question became: how does one “perform” a dedication to a Deity in the Norse Tradition? I had no clue. Certainly, I had read about others who had done so—Cara Freyasdaughter had written some wonderful articles on the topic at Huginn’s Heathen Hof—and I knew that there was a certain measure of “contractual deal making” that took place within a ritual context when “finally taking the plunge” with a Norse Deity, but that was pretty much the extent of my knowledge on the subject, apart from my previous experience as a Welsh Druid. Still, I wasn’t exactly “going in blind”: I had, after all, spent the last year getting to know Her better, both in a ritual setting (during our Friday blot), and in a research capacity. So I did what I almost always do with everything that I’m passionate about in my life: I jumped in with both feet.

Rather than use a simple white candle as I normally do when creating sacred space, I chose a lavender chime candle from my “stash”, and with my ritual dagger, I carved upon it the bind rune which She had given me. I then placed it in the small holder which I keep within the cast iron cauldron (which I also use as my hlaut-boll) on my altar, and set about creating sacred space. It isn’t often anymore that I do the full rite before my altar: as I’ve said before, I’ve called sacred space into being so many times in that area that it’s practically a permanently liminal space. But that night, I felt driven to do so. She told me to do it; and I did as I was told.

How do you know when the gods are telling you to do something? Sometimes it may come as it does when any physical person tells you to do something: in the form of an audible voice. Other times, like that night, it may come in the form of a burning need. Suddenly, you feel driven to do something, with every fiber of your being, often to the point of actually feeling physically ill if that thing is not done. That night was like that: if I had not called the space with the full rite, I knew instantly that I was going to suffer for not having done. There would be a definite headache. There might also be nausea. So I went for it. Like I said: I did as I was told.

I centered myself. I laid the fence—every movement purposeful and driven. And then I lit the lavender candle which I had inscribed with the bind-rune, and I stared deeply into it, letting my mind go blank as one typically does with candle-scrying. And She stood there, in the flame. I saw Her again, as I had that night a year past, in my dreams. And I apologized for being “a little bit slow” mentally, and then I told Her what She already knew:

I belong to you.

And then my promises to Her—the conditions of my service to Her—flowed out of me, not in some makeshift version of a legalese contract, but in poetry:

I am the
Walker Between The Worlds;
I am the Raven
On the wing,
And I sing the
Song without the
Words,
For I have no
Voice to bring.
Yet still with this
Voice
That is
Mine-not-mine,
I raise that
Voice
And sing.

All elements and words, Connla Freyjason for Iaconagraphy. Digital painting featured at center is available on a host of products at Red Bubble, via clicking this link.

My “adventures in galdr” began the very next day, and I’ve been on that song-filled journey ever since. She chose me to be Her servant; I take no titles for myself, except those She might give to me in future. It doesn’t seem to matter at all to Her that my singing voice is very much like that of the raven that is my fylgja: I squawk to the glory of the gods now on a regular basis! And I know that each time I do, I am doing right. Singing for Her fills me up as few things ever have.

I’m glad I finally “bought a clue”. I’m glad I finally found Freyja. I’m glad She took the time to find me.

 

Connla Hundr Lung (formerly Freyjason)

Connla Hundr Lung (formerly Freyjason) is the creator and founder of Heidhr Craft, a Vitki and Freyjasgodhi, and the author of Norse Witch: Reclaiming the Heidhrinn Heart and Blessings of Fire and Ice: A Norse Witch Devotional. Dead and Pagan for almost thirty years, he tends to view his status as a channeled spirit as “the elephant in the room that everyone actually wants to talk about”. However, he would much rather be regarded as a man with a valuable voice; a man who has something worthwhile to say, via both his art and his writing. He just happens to also be a man, like most men, who got where he is right now through considerable help from very dear friends and loved ones. Though raised Taoist with a strong Protestant backbeat, for the past two decades of his afterlife, Connla has explored various Pagan paths, including Wicca, Kemeticism, and Welsh Reconstructionist Druidry, before settling into Vendel (Scandinavian) Witchcraft. A General Member of the Temple of Witchcraft in Salem, New Hampshire, and a self-educated student of Archaeology, Connla currently resides in Massachusetts, along with his “hostess-with-the-mostest”, Michelle, and his Beloved, Suzanne. He is owned by two cats, Kili Freyjason and Lady Blueberry Cheesecake of the Twitchy Tail, and enjoys cooking, home-making, paper-crafting, crochet, serving his Gods and Goddesses, trying to make the world a more compassionate place, and learning as much as he possibly can about those things which spark his passions.

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